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Alessi is the brand of kitchenware that has created some of the most outstanding objects of our daily day. Founded in 1921, Alessi has always stood out for the high quality of its products and the modern minimalism that adds a contemporary touch to any space. Alessi has remained at the forefront of design and innovation, and continues to work with the most important designers of today, and is currently considered the Italian Design Factories.
Alessi is the brand of kitchenware that has created some of the most outstanding objects of our daily day. Founded in 1921, Alessi has always stood out for the high quality of its products and the modern minimalism that adds a contemporary touch to any space. Alessi has remained at the forefront of design and innovation, and continues to work with the most important designers of today, and is currently considered the Italian Design Factories.
Oval Tray With Handles ø48cm.One of the Alessi's greatest trays, it echoes the decorative details of the family of kettles with whistling birds from 1985.
Clotet, who is especially active in architecture but who has also made a number of interesting designs of objects, was fascinated by the playful crumpling of a tray in silver paper and reproduced the effect in a successful mini-series of trays and baskets, in which the crumpled edge is achieved using a complex technique of cold-pressing in a single...
A design that reveals young Australian designer Abi Alice's interest in mathematics and geometry, translated into sculptured three-dimensional forms by cutting, folding and curving sheet steel.
Octave by Abi Alice is produced simply by cutting, bending and welding specific areas of an 18/10 stainless steel sheet and the result is an elegant container for the table suitable for serving bread or breadsticks. The polished finishing enhances the sophisticated simplicity of the object. This project reflects the Abi Alice's interest in mathematics and...
The dynamic formal rhythm of the Trinity citrus basket designed by Adam Cornish draws inspiration from the sinuous spiral structure of the shell of the Nautilus mollusc. The designer wanted to recreate the appearance of a natural element through modern industrial production processes.
The double-wall technique allows the creation of objects that are hollow inside and therefore very light despite their volume, as in this elegant and formal study of the simplicity of the bowl archetype.
The double-wall technique allows the creation of objects that are hollow inside and therefore very light despite their volume, as in this elegant and formal study of the simplicity of the bowl archetype.
The 'Mediterraneo' decoration by LPWK REF: Emma Silvestris is the most recent example of a decoration that has been so successful that it has led to the creation of a family.
The 'Mediterraneo' decoration by LPWK REF: Emma Silvestris is the most recent example of a decoration that has been so successful that it has led to the creation of a family.
Emma Silvestris designed a bowl that, inserted into the Fruit bowl, creates a new object, suitable for salads or other foods such as fruit salads, pasta, etc.
La Rosa, symbol of femininity, grace and love, is transformed here into a little perforated steel fruit holder, designed by Emma Silvestris. An alchemic symbol of universal harmony: flower of Venus, an image of regeneration.
The beautiful Alessi CACTUS! small fruit bowl (21cm) is made from stainless steel mirror polished, with edge decorated by laser cutting. Designed by Marta Sansoni.
Movement is the main characteristic of this second project for Alessi by Odile Decq. The 'Twist Again' fruit holder originates from a piece of sheet metal, cut and folded to create a dynamic shape, a vortex of lines and surfaces that spread out from the centre. Once again, this designer has come up with a small-scale version of some of the elements...
The basket, designed by Pierre Charpin, on the other hand, whose use is so evident, is an essential part of our domestic landscape both in the kitchen and in the sitting room, a presence that reminds us of an ancient, pre-industrial past, bringing back the old 'gallery trays' trays from the 18th and 19th century to mind.You can use it also as a fruit basket.
The fruit holder, designed by Pierre Charpin, on the other hand, whose use is so evident, is an essential part of our domestic landscape both in the kitchen and in the sitting room, a presence that reminds us of an ancient, pre-industrial past, bringing back the old 'gallery trays' trays from the 18th and 19th century to mind.
The basket, designed by Pierre Charpin, on the other hand, whose use is so evident, is an essential part of our domestic landscape both in the kitchen and in the sitting room, a presence that reminds us of an ancient, pre-industrial past, bringing back the old 'gallery trays' trays from the 18th and 19th century to mind.You can use it also as a fruit basket.
The 'Ethno' decoration, sinuous and complex, evokes the rhythm of ancestral dances and has been available since 2000 on a range of trays and baskets.Open-work round basket in 18/10 stainless steel mirror polished.
The centrepiece 'Joy n.1' has been designed by Claudia Raimondo. The shape and decoration of the steel sheet is created through a sophisticated and contemporary moulding technique. The faces of the object create its form: large and open with undefined edges and with a fascinating play of reflections that are reminiscent of objects handmade in precious...
The doomed cover with wooden knob is part of the project 'Dressed in wood', designed by Marcel Wanders. It can be used with either the cheese board or the cake stand 'Dressed in wood'. A natural material, beech wood, shaped by artisans, is characterised by knots and veins that make each piece slightly unique. 'Dressed in wood' is a collection made by...
The pepper castor has been in the Alessi catalogue since 1978 and belongs to the historical production. Ettore Sottsass, internationally recognized as one of the initiators of the revolution in design has conceived this pepper castor that has become a classic, a true archetype of restaurant industry and private service, an 'essential' objects, with its...
Its sheer size makes it almost a tabletop totem-pole. This pepper mill shows that even the most common of objects can surprise us.